MALAWI: COSOMA Faces Questions Over Copyright Fund Beneficiary List

By Smile Hamilton Malawi

The Copyright Society of Malawi (COSOMA) is under public scrutiny following the release of its 6th Call Copyright Fund beneficiary list, which has raised eyebrows among stakeholders and artists alike.

While the distribution of funds to various creative figures such as Saint, Lulu, Zeze Kingston, and Onesimus initially appeared to be routine, concerns have emerged over the inclusion of certain recipients.

Some artists and industry observers are questioning the fairness of the selection process, noting that a few beneficiaries have previously served as COSOMA board members.

Among those cited are Reverend Chimwemwe Mhango and gospel artist Deborah, whose inclusion has sparked debate on whether their positions in the past might have influenced the outcome.

Critics argue that greater transparency is needed to maintain public trust in the allocation process.

Sources within the creative industry say some artists feel the process was not entirely objective and have called for COSOMA to clarify the criteria used in selecting recipients.

“We are not against any particular person benefiting,” said one concerned musician, “but we want to understand the reasoning so that the process is fair for all.”

In response to growing pressure, some senior officials within COSOMA have acknowledged the need to address the issue. However, as of now, the organization has not made an official public statement. Observers say a timely explanation could help diffuse tensions and protect the institution’s credibility.

The Copyright Fund is designed to support creative works across Malawi, with the aim of empowering artists and strengthening the cultural sector. Stakeholders are now urging COSOMA to uphold transparency and ensure that future allocations are free from perceived conflicts of interest.